Trucks Jam

Butch Trucks, drummer, Allman Brothers Band founding member, and uncle of modern guitar legend Derek, died this week. Even as the ABB tapered off its touring schedule and eventually concluded its historic run, Trucks continued a vibrant performance life, playing both with established musicians like his band mates and forming new bands with younger players.

One of Trucks’ lesser publicized projects was his personal blog. He started it about a month before this site went live, and it remains the most memorable thing I read online during that period. After speaking, essentially exclusively, through his drumming for decades, his unfiltered, direct, intelligent written communication revealed more of the personality behind his rhythm. And the writing was revealing. He wrote about controversial points in the band’s history, racism, Duane, Dickey, Skynyrd, the reality of his own upbringing, and more, and he even read and responded to reader comments. A rare opportunity to peer inside the active mind of one of the many pillars of rock and roll. The second half of 2011 was his busiest time on the site, which felt like it should have been shut down at any moment by a band PR rep, and he didn’t post there after 2013, but it is essential reading for any fan of the Allmans.

If you want to read something else, here’s an interview with Trucks and Jaimoe, the band’s other original drummer, in connection with the 40th anniversary tour two years ago. Otherwise, I’d recommend leaving all that behind for now and getting into these jams.

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Related
Silent Film Series: Virgil “Fire” Trucks (Detroit, MI 1956)

Sports Law Roundup – 1/20/2017

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I used to write the sports technology roundup at TechGraphs, an internet website that died, and now I am writing the sports law roundup at ALDLAND, an internet website.

Here are the top sports-related legal stories from the past week:

  • Hockey head injuries: In a discovery dispute in a case between the NHL and over one hundred former players alleging that the league knew or should have known that concussions can lead to CTE, the NHL filed a motion seeking a court order compelling Boston University’s CTE Center to turn over research documents the former players say constitute evidence supporting their claims. Thus far, BU, which “maintains what it calls the largest brain repository in the world dedicated to the study of CTE,” had refused to provide the league with the requested information on confidentiality grounds.
  • Atlanta Braves Community Fund: A lawsuit alleges that, since at least 2010, the Atlanta Braves have failed to make adequate payments to a nonprofit entity known as the Community Fund as required under the team’s contract with the city (technically the City of Atlanta and Fulton County Recreation Authority) for Turner Field. That contract required the Braves to pay specified shares of revenue from both baseball and non-baseball events at Turner Field to the Community Fund, which now claims that the team underpaid in violation of that contract. The Braves played their final game ever at Turner Field last October.
  • Beatles’ declaration worth many pennies: Since we’re thin on sports law stories this week and sometimes cover music on this site, here included is comment on Paul McCartney’s recent lawsuit seeking a declaration that his prior exercise of certain rights under copyright law will not cause a breach of publishing agreements with Sony. McCartney is hoping to gain control of the rights to songs he wrote prior to 1978 but fears retribution from Sony, which could not provide “clear assurances he won’t face contract troubles for taking back his songs.”

Sports court is in recess.

Detroit Memorial Jam

Bob Seger is back with his first new song release in over two years. Seger, who hasn’t toured since 2015, just published “Glenn Song,” a tribute to Eagles co-founder and fellow Michigander Glenn Frey, on the first anniversary of Frey’s death. The two had a history of collaboration, with Frey backing Seger on the latter’s first national hit, “Ramblin’ Gamblin’ Man,” and Seger pitching in on the Eagles hit “Heartache Tonight” a decade later. Seger, now seventy-one, is in strong voice on “Glenn Song,” which is available for free streaming and download on his website.

Sports Law Roundup – 1/13/2017

aslr

I used to write the sports technology roundup at TechGraphs, an internet website that died, and now I am writing the sports law roundup at ALDLAND, an internet website.

Here are the top sports-related legal stories from the past week:

  • College football head injuries: A group of former Texas Tech, Oklahoma, and TCU football players has sued the NCAA and Big XII conference, alleging that those entities breached contractual obligations to warn players of and take adequate steps to prevent head injuries. The plaintiffs are seeking class action status, and their lawyer has said that he expects to file similar lawsuits on behalf of more players this year.
  • Olympic surveillance: Two years ago, the former mayor of Salt Lake City and six SLC residents filed a proposed class action against George W. Bush, Dick Cheney, David Addington, Michael Hayden, the FBI, and the NSA, alleging that the federal government improperly spied upon people attending the 2002 Winter Olympics. Now, a judge has denied the NSA’s motion to dismiss the case and will allow it to proceed.
  • Gymnast abuse: In more Olympic news, eighteen women sued USA Gymnastics, the national governing body for gymnastics in the United States; Michigan State University; and a gym in the Lansing area. Their complaint alleges that an affiliated doctor molested and sexually assaulted the plaintiffs, some of whom were as young as nine years old when the alleged attacks occurred, and that the defendants failed to act appropriately upon their knowledge of this doctor’s actions. This is the third civil action involving this doctor, and criminal complaints also have been filed. The FBI reportedly recovered child pornography from the doctor’s electronic devices and is in possession of video evidence of the doctor perpetrating sexual assaults.
  • Baseball land shark attack: The judge overseeing a dispute between the Miami Marlins and a fan who alleges she suffered a serious neck injury in 2013 when a shark mascot, following an on-field race with other mascots, leaned into the stands and pretended to bite her head has ordered the parties to participate in mediation in advance of the case’s June trial date.
  • Concert dodgers: A concert promoter sued the Los Angeles Dodgers and Guggenheim Partners, the entity that owns the team, because, the promoter alleges, they failed to pay him a share of the proceeds from concerts by Paul McCartney and AC/DC hosted at Dodger Stadium for his work in securing those performances. The promoter says he’s owed $2 million, while a leaked draft response from the defendants reportedly tells him to “forget about the check, we’ll get hell to pay.”
  • Sports gambling legalization: Legislators in South Carolina and New York separately proposed amendments to their state constitutions that would legalize sports betting. The South Carolina proposal would allow all forms of gambling, while the New York one would be limited to allowing sports gambling at racetracks and casinos.
  • Preemptive free agency: Last week, we highlighted an article suggesting that a California employment law could allow certain athletes playing for teams in that state to unilaterally opt out of long-term contracts and become free agents. High-profile baseball agent Scott Boras subsequently weighed in on the subject and counseled against the idea largely because the transactional costs of attempting the move (i.e., years of litigation) likely would outweigh– and, due to time delay, probably completely negate– any potential benefit to the player.
  • CTE: This also is not a legal news story, exactly, but this space has highlighted a number of sports-related head-injury lawsuits in the past, which makes sharing this compelling and well-told story of a young person’s struggles with CTE appropriate. If you only click through to one link in this post, make it this one.

Sports court is in recess.

New Year Jam

A lot of people thought 2016 was, mostly in an admittedly abstract or indirect way, a bad year. Most agree that 2017 will be another year. Before we get there, though, we must make it through today and tomorrow. In the course of doing so, many inevitably will turn their (hopefully not too lonely) eyes to the former home of Joe DiMaggio on Saturday night. This is a Jam:

The Funeral Jam in the Court of the Crimson King is the Jam That Never Ends

When I first really found my footing in popular music listening, it was in the vast soundscape of 1970s progressive rock. I didn’t really understand what exactly I was hearing when I listened to Yes or Emerson, Lake & Palmer (or, later, when venturing into darker waters with King Crimson), but it truly captured my imagination. On Wednesday, one of the pillars of that genre, Greg Lake, lost his battle with cancer. With Robert Fripp, a childhood friend, Lake founded King Crimson, the ur-band of progressive rock. Lake then took his considerable vocal talents, along with his bass guitar, and joined on with (the recently late) keyboardist Keith Emerson and later drummer Carl Palmer in ELP, “progressive rock’s first supergroup.” The band’s two-CD live compilation, King Biscuit Flower Hour: Greatest Hits Live, was in heavy rotation in my car stereo and, once I expanded my radio-format horizons at WHCL, on the airwaves. The second disc contains only one song, and I used a portion of it for the intro to every show. The full version, recorded at a live concert performance in Anaheim in 1974, constitutes today’s Jam:

Analyzing college football coaches’ favorite musical artists

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ESPN conducted a survey of all 128 Division I college football coaches, asking them to name their favorite musical artist. The full list of responses is here. My cursory analysis is here:   Continue reading

The End of Tulsa Jam

The Tulsa Sound is defined in large part by the work of its two principal pillars, J.J. Cale and Leon Russell. Cale passed three years ago, and, on Sunday, Russell too returned to the eternal dust bowl:

Russell, known as “The Master of Space and Time,” was a master of the blues, country, rock, gospel — whatever styles of music were put in front of him and whatever he could pull from his creative mind. With dozens of albums, hundreds of songs recorded by musicians at the top of their game and thousands of contributions to recordings from The Beach Boys to J.J. Cale, Russell’s influence on music in the last 50 years has been profound.

In 1969, Russell performed in the Delaney & Bonnie and Friends band, with several members of the band coming on with Joe Cocker for the Mad Dogs and Englishmen recordings and iconic tour. That tour put a spotlight on fellow Tulsa musicians, with Jim Keltner and Blackwell on drums and Carl Radle on bass performing on the tour and on the album.

Russell launched his solo career with the release of his self-titled album in 1970, an album that included one of his best-known songs, “A Song for You.”

Russell moved back to Tulsa in the early 1970s to establish Shelter Records and build recording studios in Tulsa and near Grand Lake. A memorial to Russell grew throughout the day Sunday on the steps of his old Tulsa studio, The Church Studio on Third Street, which the city renamed Leon Russell Road in 2010.

His solo career produced multiple hit albums and songs, including “A Song for You,” “Tight Rope,” “Stranger in a Strange Land” and “Lady Blue.” His work spanned genres from the rock sounds of his self-titled 1970 album to the honky-tonk of “Hank Wilson’s Back,” incorporating blues, gospel and soul across his albums.

“He played and recorded with the heavyweights of country music — George Jones and Willie Nelson — and of course rock ‘n’ roll royalty — George Harrison and Eric Clapton,” said Jeff Moore, director of the forthcoming Oklahoma Museum of Popular Culture, to which Russell donated a large part of his work for future display.

Relix adds this note from Russell’s appearance at the 2015 Lockn’ Festival:

But when it came down to brass tacks, he was straight business—playing and singing with all his might, giving tips to the musicians, beaming with joy as Derek [Trucks] ripped a solo or Susan [Tedeschi] wailed on the mic, and even leading the troupe through some surreal improvised jams. He was fully engaged with everyone in that rehearsal room, even though it must’ve been an overwhelming experience for him (he was working with dozens of people he hadn’t seen in over 45 years). He was like the elder statesman of the experience and treated everyone with love, respect and humility, which ultimately guided that massive collective to deliver one of the finest and most memorable shows any of us had ever seen or any of the musicians had been a part of.

Enough chatter. I’ve featured the exact same take of this first jam in this space before, but its opening makes it too perfect to omit this time around:

Russell also played a featured role in Ravi Shankar and George Harrison’s Concert for Bangladesh, and this spotlight medley is a highlight of the night:

I’m not sure what’s going to happen now to the Tulsa Sound and scene without these two, and I’m hardly in a position to say, but I know that they made something special, authentic, and perfectly delivered. We don’t deserve more, and we probably don’t even deserve that.

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Previously
J.J. Jam
Stranger in Town Jam