Trucks Jam

Butch Trucks, drummer, Allman Brothers Band founding member, and uncle of modern guitar legend Derek, died this week. Even as the ABB tapered off its touring schedule and eventually concluded its historic run, Trucks continued a vibrant performance life, playing both with established musicians like his band mates and forming new bands with younger players.

One of Trucks’ lesser publicized projects was his personal blog. He started it about a month before this site went live, and it remains the most memorable thing I read online during that period. After speaking, essentially exclusively, through his drumming for decades, his unfiltered, direct, intelligent written communication revealed more of the personality behind his rhythm. And the writing was revealing. He wrote about controversial points in the band’s history, racism, Duane, Dickey, Skynyrd, the reality of his own upbringing, and more, and he even read and responded to reader comments. A rare opportunity to peer inside the active mind of one of the many pillars of rock and roll. The second half of 2011 was his busiest time on the site, which felt like it should have been shut down at any moment by a band PR rep, and he didn’t post there after 2013, but it is essential reading for any fan of the Allmans.

If you want to read something else, here’s an interview with Trucks and Jaimoe, the band’s other original drummer, in connection with the 40th anniversary tour two years ago. Otherwise, I’d recommend leaving all that behind for now and getting into these jams.

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Related
Silent Film Series: Virgil “Fire” Trucks (Detroit, MI 1956)

The End of Tulsa Jam

The Tulsa Sound is defined in large part by the work of its two principal pillars, J.J. Cale and Leon Russell. Cale passed three years ago, and, on Sunday, Russell too returned to the eternal dust bowl:

Russell, known as “The Master of Space and Time,” was a master of the blues, country, rock, gospel — whatever styles of music were put in front of him and whatever he could pull from his creative mind. With dozens of albums, hundreds of songs recorded by musicians at the top of their game and thousands of contributions to recordings from The Beach Boys to J.J. Cale, Russell’s influence on music in the last 50 years has been profound.

In 1969, Russell performed in the Delaney & Bonnie and Friends band, with several members of the band coming on with Joe Cocker for the Mad Dogs and Englishmen recordings and iconic tour. That tour put a spotlight on fellow Tulsa musicians, with Jim Keltner and Blackwell on drums and Carl Radle on bass performing on the tour and on the album.

Russell launched his solo career with the release of his self-titled album in 1970, an album that included one of his best-known songs, “A Song for You.”

Russell moved back to Tulsa in the early 1970s to establish Shelter Records and build recording studios in Tulsa and near Grand Lake. A memorial to Russell grew throughout the day Sunday on the steps of his old Tulsa studio, The Church Studio on Third Street, which the city renamed Leon Russell Road in 2010.

His solo career produced multiple hit albums and songs, including “A Song for You,” “Tight Rope,” “Stranger in a Strange Land” and “Lady Blue.” His work spanned genres from the rock sounds of his self-titled 1970 album to the honky-tonk of “Hank Wilson’s Back,” incorporating blues, gospel and soul across his albums.

“He played and recorded with the heavyweights of country music — George Jones and Willie Nelson — and of course rock ‘n’ roll royalty — George Harrison and Eric Clapton,” said Jeff Moore, director of the forthcoming Oklahoma Museum of Popular Culture, to which Russell donated a large part of his work for future display.

Relix adds this note from Russell’s appearance at the 2015 Lockn’ Festival:

But when it came down to brass tacks, he was straight business—playing and singing with all his might, giving tips to the musicians, beaming with joy as Derek [Trucks] ripped a solo or Susan [Tedeschi] wailed on the mic, and even leading the troupe through some surreal improvised jams. He was fully engaged with everyone in that rehearsal room, even though it must’ve been an overwhelming experience for him (he was working with dozens of people he hadn’t seen in over 45 years). He was like the elder statesman of the experience and treated everyone with love, respect and humility, which ultimately guided that massive collective to deliver one of the finest and most memorable shows any of us had ever seen or any of the musicians had been a part of.

Enough chatter. I’ve featured the exact same take of this first jam in this space before, but its opening makes it too perfect to omit this time around:

Russell also played a featured role in Ravi Shankar and George Harrison’s Concert for Bangladesh, and this spotlight medley is a highlight of the night:

I’m not sure what’s going to happen now to the Tulsa Sound and scene without these two, and I’m hardly in a position to say, but I know that they made something special, authentic, and perfectly delivered. We don’t deserve more, and we probably don’t even deserve that.

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Previously
J.J. Jam
Stranger in Town Jam