DraftKings and FanDuel finally announce inevitable merger agreement

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According to this morning’s press release, the two DFS companies “are merging to create a stronger entity that can focus on growing the fantasy sports market by developing new products and features, delivering enhanced user experiences and creating an overall stronger fantasy sports community, all aimed at creating a more diverse, exciting and appealing experience for fantasy sports players and sports fans generally,” which, sure.

There already was some probably unethical data sharing going on between these companies, and with the bills for difficult regulatory battles coming due, it makes perfect sense that these companies would merge. DraftKings’ CEO will become the CEO of the new company, and FanDuel’s CEO will become the chairman of the board.  The two sites will continue to operate separately through the 2017 NFL season, integrating only after the merger has cleared all regulatory hurdles and is finalized.

If you’re still playing these games without the use of a zombie computer army, well, good luck.

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Related
Lose money playing DraftKings or FanDuel? File a lawsuit.
Why I don’t gamble on sports, ep. 37

Final 2016 MLB prediction report

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Now that the individual awards are out, we can put a wrap on my preseason MLB predictions. I’ve already recapped the team-standing predictions and results here, and what follows is a look at how well I predicted the individual player awards announced this week:

American League

MVP: Mike Trout

Correct. Trout’s win was not the result of a unanimous vote, but it was a clear win. He was the favorite for the award at the beginning of the season, and, despite playing on a bad team (a factor that seems to matter to some), Trout is a generational player, and maybe more, who a not-small group of people believe should have won this award every year of his career. By the leading WAR metrics, this wasn’t even Trout’s best season (although it’s a close call by rWAR), but he was better than everybody else. Good call, BBWAA.

Cy Young: Chris Sale

Incorrect. Sale finished fourth, and Rick Porcello won the award. Let’s not talk any more about this one.

Rookie of the Year: A.J. Reed

Incorrect. This one was my biggest gamble of the entire predicting process. While the NL ROY choice was obvious even before the season started, the AL seemed to me to be wide open, so I chose a little-discussed player who seemed to be in a position to make a big impact for a good team that seemed ready to explode. Even last year, the Astros had a lineup stocked with young talent, and it appeared that they might be a bit ahead of schedule on their massive rebuilding plan. Preseason, their only real gap in the lineup looked like it was at first base, and Reed was a power-hitting first baseman waiting in the wings. Unfortunately for my prediction, which obviously is what matters most here, the Astros weren’t ahead of schedule, and Reed did not propel them to the postseason in a blaze of hitting glory. Instead, Houston’s pitching regressed, and Reed played just forty-five games of sub-replacement-level baseball. Next year could be a very different story, though, as Houston– which added Brian McCann and Josh Reddick yesterday– looks to be making a very strong push for 2017. Right on schedule.

The actual winner, Michael Fulmer, was a great choice. I wrote more about his win here.

National League

MVP: Paul Goldschmidt   Continue reading

Kate Upton has a point: Writers must do better with baseball awards voting (via Fox Sports)

111716-mlb-tigers-verlander-upton-pi-vadapt-980-high-75Kate Upton had a point. Her math is off, her facts are off, but she had a point.

Sorry, Kate, no writer should be fired for failing to vote for your fiance, Justin Verlander, for the American League Cy Young Award.

But, with all due respect to the Baseball Writers Association of America — of which I am a proud member — the omission of Verlander from the ballot by both Tampa Bay voters is indeed an indication that we can do a better job choosing the voters for our awards.

Judging voters too harshly is a slippery slope: I vehemently oppose penalizing anyone for holding an unpopular or even mistaken opinion. At the same time, it is the obligation of every voter to develop a sound rationale for his or her choices. Different answers are acceptable; it’s the process that matters.

The Tampa Bay voters, Bill Chastain of MLB.com and Fred Goodall of the Associated Press, cannot be held solely responsible for Verlander’s second-place finish, despite what Upton said in her epic Twitter rant Wednesday night. Verlander would have needed third-place votes or better from both to overcome Porcello – and seven other writers placed him fourth or fifth.

Chastain told the New York Daily News that he submitted his ballot with about a week left in the regular season; a curious choice, to say the least, when Verlander’s Tigers were still fighting for a playoff berth. Goodall, one of several AP writers who vote for BBWAA awards, does not solely cover baseball; he reports on a variety of sports in the Tampa Bay area.

Ultimately, though, each writer needs to take responsibility; if you are not prepared to engage in or capable of the necessary analysis, then don’t accept the ballot. Chastain and Goodall did not make indefensible choices — Chastain went Porcello-Britton-Kluber-Sale-Masahiro Tanaka; Goodall went Porcello-Kluber-J.A. Happ-Britton-Aaron Sanchez. But the complete exclusion of Verlander by both makes little sense.

Votes are subjective, differences of opinion expected. But the BBWAA has a responsibility, too — a responsibility to make sure that we select the most qualified voters, the best of the best, to get the optimal result.

If we fail to do that, shame on us. … Read More

(via Fox Sports)

HT: LRAD/MSN.com

Michael Fulmer and the changing face of the Detroit Tigers

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We learned Monday that Detroit Tigers starting pitcher Michael Fulmer is the 2016 American League rookie of the year. While not a unanimous selection like his National League counterpart, Corey Seager, he still claimed the award in convincing fashion:

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Fulmer is the fifth Tiger to win the award, joining teammate Justin Verlander, Lou Whitaker, Mark Fidrych, and Harvey Kuenn. The connection between Verlander, who won his rookie of the year exactly ten years ago and is a contender for his second Cy Young award this year, and Fulmer seems to be a neat and real mentorship relationship. Here’s a snapshot statistical comparison of Verlander and Fulmer in their rookie-of-the-year seasons:

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It certainly is exciting to consider the possibility that the Tigers have found in Fulmer another Verlander, even if Fulmer’s numbers– comparatively superior to Verlander’s ROY season across the selected metrics– have some worried about his ability to repeat his rookie-year successes. (This concern boils down to the relatively large gap between Fulmer’s ERA and his FIP. It seems worth noting that Verlander had an even larger gap in 2006.) It doesn’t mean a lot, but the similarities make for a fun comparison.

Fulmer’s accolades serve as a reminder that the next generation of this Tigers team already has arrived, at least in part, and that, with business-side changes afoot, the veteran generation could be gone before we know it.   Continue reading

Kansas trick kick-return play validates Mountain West’s hazing of Boise State

One of the first stories we covered at this site occurred back in 2011, when the Mountain West Conference hazed new member Boise State by prohibiting them from wearing their blue uniforms in home conference games, claiming that the uniforms gave the Broncos “a competitive edge” in games played on their blue home turf, all while permitting charter conference member Colorado State to wear green uniforms in all of their conference games played on green turf. The MWC position was such a sham that even the NCAA could see it was a bad idea.

On Saturday night, though, the otherwise hapless Kansas Jayhawks showed that there might be something to this turf camouflage concern:

Not bad, but it won’t help KU hide from Charlie Weis, to whom the university still owes money.

Zappa plays Zappa and you can too

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Frank Zappa is one of the greatest and most interesting musicians America has produced. From 1966 until he died in 1993, he released dozens of albums bending various musical genres around his acerbic wit. FZ’s M.O., as I understand it, basically was to trick people into consuming high art by dressing it up as low art. His bands were one part orchestra, one part Foley studio, and one part rock & roll outfit. Creating the appearance of radical spontaneity on stage or in the recording studio merely was a crowning achievement of what undoubtedly was a very organized process. Zappa may have held extreme political views, but he was no anarchist. In light of the complexity of the music and the number of people it took to make it, everything– even kazoo honks and beach ball bounces– had to be carefully composed, or the project wouldn’t work. Was radical spontaneity involved in the initial generation of the ideas the songs would convey? Surely, and that’s what made these songs exciting and (attractively) dangerous to fans: even though the execution of these concepts necessarily was an orderly process, it still was Frank at the helm, and the audience didn’t know how far he would push the limits or if he’d steer them entirely off the rails.

All of that is what makes it a little bit difficult to digest what Dweezil Zappa is up to. Continue reading

ESPN Films’ 30 for 30 series finally peaks following Simmons’ departure

At some point in the last fifteen years, ESPN, as a brand, became uncool. I described this transition at length here, pegging 2003 as the beginning of the end of the Worldwide Leader’s cool cache. The ongoing creep (some would say, “dash”) toward faceless, nameless on-air talent and lowest-common-denominator content has not infected every corner of the four-letter network’s offerings, and the conventional wisdom was and remains that the weaker a program’s ties to Bristol, Connecticut, the higher its quality. That physical remoteness from the corporate jackboot seemingly allowed things like Bill Simmons’ Los-Angeles-based Grantland and the itinerant College GameDay to flourish.

Simmons also took a leading role in ESPN Films’ 30 for 30 series, a universally praised series of sports documentaries. After Simmons and ESPN parted ways in the spring of 2015, Grantland died, but 30 for 30 lived on. While I’ve enjoyed every 30 for 30 film I’ve caught flipping around on the television, none ever has been appointment viewing.

Until now.

Nearly two years after Simmons got himself kicked out of ESPN, the network will air what undoubtedly will be received as the best 30 for 30 entry ever: “This Was the XFL.” From the press release:

A bold challenge, a fearless experiment and ultimately, a spectacular failure. In 2001, sports entertainment titans Ebersol and McMahon launched the XFL. It was hardly the first time a league had tried to compete with the NFL, but the brash audacity of the bid, combined with the personalities and charisma of Ebersol and McMahon and the marketing behemoths of their respective companies — NBC and WWE — captured headlines and a sense of undeniable anticipation about what was to come.

Bringing together a cast of characters ranging from the boardrooms of General Electric to the practice fields of Las Vegas, “This Was the XFL” is the tale of — yes — all that went wrong, but also, how the XFL ended up influencing the way professional team sports are broadcast today. And at the center of it all – a decades long friendship between one of the most significant television executives in media history and the one-of-a-kind WWE impresario. This film will explore how Ebersol and McMahon brought the XFL to life, and why they had to let it go.

Both of these films (plus exclusive bonus features) will be available for streaming on WatchESPN immediately following their premieres.

I’m not much for fantasy football, but I played fantasy XFL, still love the ideas behind this league, and remain on vigilant watch for the emergence of subsequent examples of its ilk. The XFL improved the NFL, which now is in need of another shakeup. Here’s hoping that the release of this movie, slated for three days prior to the next Super Bowl, will rattle the NFL’s cage.

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Related
Pre/Postmodern football fans rejoice: The SPFL cometh

Evidence that Chip Kelly definitely reads ALDLAND?

Last week, physguy highlighted a situation that can occur toward the end of each half of a football game: if the offense is driving and runs a pass play with time winding down, the defense’s best response often is to commit aggressive pass interference in order to eat the dwindling clock and avoid a touchdown. While he imposed a rule change to counter this defensive incentive, Roger Goodell and co. had not implemented it in time for this week’s games, and San Francisco head coach Chip Kelly, almost certainly having read our site last week, took advantage against the Saints on Sunday:

It can’t be more clear than that. As physguy wrote to me after seeing this play, “This Saints example . . . clearly shows that it needs to be addressed. My rule change makes it so that the defense can only force a FG by beating the offense fair and square.”

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Previously
Disincentivizing Defensive Penalties in College Football: Ten-Second Runon

Related
Catching Fire: Is Brad Ausmus Evolving? Or, Evidence that Brad Ausmus Definitely Reads ALDLAND

Taylor Swift and Phish deserve 2016 World Series rings

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Taylor Swift’s influence on this year’s historic World Series is well-recognized. First, she cleared the Chicago Cubs’ path through the National League side of the playoff draw by failing to release a new album in an even year for the first time since 2006, thereby removing the true and powerful source of the San Francisco Giants’ even-year magic. Things wobbled a bit when, on the day of game three of the NLDS (in which the Cubs held a 2-0 series lead over the Giants), Swift announced that her first concert in nearly a year would take place later that month and, some thought, hinted at a new album release that would spirit the Giants to another world championship. San Francisco avoided elimination by beating Chicago that night.

Swift performed her concert, but she ultimately declined to release a new album, thereby halting the Giants’ playoff run and allowing the Cubs to advance to the World Series.

As all baseball fans know from the parable of the angels in the outfield, though, a team’s supernatural helper– be it Christopher Lloyd or T-Swizz– only will carry the team so far. In the World Series, the Cubs faltered again. Their offensive power, which had floated them to a regular-season-best 103 wins, suddenly became scarce in the playoffs, and they quickly found themselves in a 3-1 hole against Cleveland in the final round. Backs against the wall, Chicago would have to win three straight games in order to claim the title. To do that, their first baseman, Anthony Rizzo, would have to start hitting.

At twenty-seven years old, Rizzo qualifies as a wise old veteran on this young Cubs team, and he knew a change was necessary for the Cubs to have a shot at winning the series, so he made one. All year and throughout the playoffs, Rizzo had used Swift’s “Bad Blood” as his walkup music, and it had served him well. With one game left at Wrigley Field, the first of three consecutive must-wins, Rizzo hit shuffle on the jukebox, swapping “Bad Blood” for the Rocky theme. It worked. Rizzo hit a key double and scored a run, and the Cubs won 3-2, sending the series back to Cleveland, where they would win twice more, including a dramatic game-seven victory in extra innings. And it’s all thanks to Taylor Swift.

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Almost all of it, anyway. The touring phenomenon that is the band Phish has been making music together since 1983. In the more than thirty years of their existence, they have performed in Chicago numerous times. In fact, prior to this year, they’d played in Chicago twenty-eight times (I’m counting their five appearances in Rosemont), including a 1991 gig at the famous Cubby Bear bar. (For more on that storied venue’s history with music and baseball, enjoy this brief video from 1984.)

Until 2016, though, they never had performed inside the (helping) friendly confines of Wrigley Field. In the 108th year of Chicago’s north-side championship drought, however, Vermont’s finest made their Wrigley Field debut on June 24. We joined them on night two of their two-night Wrigley run, and they were excellent. The second night’s second set, in particular, was sublime.

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I don’t recall any explicit baseball references from the band that evening, but the first set offered some clues:

  • Waiting All Night (a World Series game seven preview)
  • 46 Days (sung as a reference to the days of 1946, the year after the Cubs’ last World Series appearance)
  • I Didn’t Know (You Were That Far Gone – from a World Series championship)
  • Good Times Bad Times (acknowledging that the Cubs and their fans have had their share of both)

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Are there musicians more closely associated with the Chicago Cubs than Taylor Swift and Phish? Probably. Eddie Vedder comes to mind. Michigander and ostensible Detroit Tigers fan Jack White has had his public flirtations. It is clear from the foregoing, however, that no musicians did more to help the Cubs break their various curses and claim a World Series title for the first time in 108 years than Swift and Phish. If Manny Ramirez is getting a World Series ring this year, then so should Taylor, Trey, Jon, Mike, and Page.

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Related
World Series Game 7 in two tweets
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