As Nashville undergoes a whiplash of change under a web of steel cranes, the Ryman stands sturdy among the neon and glass. Hallowed halls like “the mother church of country music” can’t merely be built like a skyscraper or condo complex after all. They must become — painted with layers of experience and mystery over time. Try to uncover the meaning in their spirit by peeling back the paint, and you’ll only find another color, deeper and richer, worn in.
The Ryman is a physical emblem of the spiritual — a reminder that takes us beyond ourselves. And as former Nashville Mayor Bill Purcell put it, the Ryman reminds us, looking forward, of who we still want to be. Through two renovations — one in 1994 and another last year — the building helps tell the story of this place from the performers who graced the stage to the men and women who built and ran the place. But it also offers a comeback story of Nashville, saving a piece of its soul. Because in the 1990s, after a century of becoming, the old lady Ryman had nearly come to her end. … Read More
(via The Bitter Southerner)