After Phish released its St. Louis ’93 box set, which chronicles two separate concerts four months apart in that city’s American Theater, I had the idea that I would write a two-part review of the release. In the first part, I would explain how the recording of the April 13 performance fit nicely between the raw, excitable energy exhibited on the At the Roxy box set, which captured three nights at the former Roxy Theater in Atlanta in 1992, and their breakout in 1994 (most widely distributed in the form of the two-disc release entitled A Live One).
That’s about as far as I got, because I came up with the idea after listening to the April concert, but I hopefully anticipated that, after listening to the August 16 performance, I’d be able to note something about the band’s noticeable growth over a short but very dynamic period in the group’s history.
As those of you who read this website with due care already know, I wrote neither of those reviews. That happened (or didn’t) in not-insignificant part because I don’t think the second night demonstrated the sort of growth, coalescence, or development I had believed it might. Top to bottom, the first night clearly is better, in my opinion, and I have returned to it more often than the second.
It wasn’t a mistake to include the August performance, though. The theme of the set wouldn’t make much sense, or really even exist at all, without it, of course, and if the plan simply was to release one night from 1993, maybe there were better options even than the April date in St. Louis. I don’t know. More than mere marketing logic, however, the August concert belongs because of its peaks. For example, the second set Mike’s Groove opener is solid, and the “Rocky Top” encore finisher is fun.
The real highlight, though, and what I suspect was a major factor in the decision to do this release at all, is the first-set “Reba.” Listen for yourself, and have a sublime weekend.